Sunday, March 17, 2024

Numanoids, et al

 It has been my best March ever in terms of live music. Today we saw the U of A Concert Band show "The Old Sod" (featuring Rhondda, the daughter of our dear friends Shari and Dave, on flute) at the Winspear, wherein I learned that Dutch composer John deMeij wrote a Lord of the Rings-themed symphony.

Last week Audrey and I saw Alan Doyle (formerly of Great Big Sea) who is an exuberant and charismatic performer, and also deeply enjoyed the banter and dark yet often funny ballads from his opener, Adam Baldwin.

The week before that, the Rare Hipster was nice enough to take me along to Midway Music Hall to see '90s industrial music legends Ministry along with Front Line Assembly and Gary Numan, and I was a little surprised that the act I enjoyed the most was Gary Numan.


I mean, of course as a fan of new wave and electronic music I love "Cars", his signature tune, as well as a couple others from his early days and time in Tubeway Army like "Are Friends Electric" and "Down In the Park." I had come across his 2017 album "Savage (Songs for a Broken World)" and liked a couple of tracks from it, but since the show Mar 6, I have been streaming a fair bit of his material.

I was unsure how what I thought of as Numan's electro-pop sound would fit in with the hard-edge music of FLA and Ministry, but the man is nothing if not adaptable. He came out rocking hard, with the synth tones still present but masked a bit by a mix that really gave center stage to his two guitarists. 

It was kind of a short set for a man with 21 solo albums to his name (that is a new album almost every two years on average!), favouring tracks from his last few releases (Savage in particular) but still making room to fit a guitar-forward "Cars" into the middle for an appreciative crowd.


When the album featuring that track, "The Pleasure Principle" came out in 1979, most critics piled on pretty relentlessly, mocking the synth tones he pushed through guitar effects pedals, calling his music pretentious and inhuman. He was even accused of taking jobs away from "proper" musicians.

Obviously he hung in there, and today he is not only recognized as a pioneer in electronic music, but maintaining a cult following for his recent releases, which feature not only catchy hooks and powerful, dramatic rhythms but also soulful and insightful lyrics.

My Name is Ruin (probably my current fave)


My name is ruin, my name is vengeance
My name is no-one, and no-one is calling
My name is ruin, my name is heartbreak
My name is lonely, my sorrows a darkness
My name is ruin, my name is evil
My name's a war song, I'll sing you a new war
My name is ruin, my name is broken
My name is shameless, I'll tear your world open

When the World Comes Apart


And when the sun fell down
And when the moon failed to rise
And when the world came apart
Where were you? Were you with me?
When my light burns out
And when my fire is cold
And when my breath is the wind
Where will you be / I will find you
Dear God?



Everything I work for
Everything I long for is always just too far
Everything I hope for never comes to me
Everything I bleed for burns a scar on me
Everything I fight for leaves a bitter taste
Everything I cry for laughs into my face
Everything I scream for barely knows my name
Everything I'd die for will die just the same
In here
With me

Dude has led an interesting life (flying aerobatics, racing formula cars)  and I am glad he is still putting out music, and that I had the opportunity to see him perform live. All 91 minutes of his 2018 concert film Live at Brixton Academy can be streamed on YouTube and I have watched it twice now, but I will leap at a chance to hear him in person again.

Monday, March 11, 2024

Oscars 2024 - Never Kenough

In retrospect, cramming the Oscars, a Risk game that ran late and a Beer Fest into the same weekend that the clocks sprang forward was probably ill-advised.

The telecast even started an hour earlier, making it challenging to get the 8+ pounds of roasted pork to the potluck table before Jimmy Kimmel started his opening monologue (5 minutes late, as it turns out!). I think Kimmelo is a great host, a bit sharper in tone than Billy Crystal, but smart, funny, appreciative and willing to poke. His acknowledgment that the people who snubbed Greta Gerwig's director nomination for Barbie were in the room that evening was a great example, while his description of Robert Downey Jr's 'highest career moment' felt offside to many. 

In my mind, acknowledging RDJ's troubled past, chequered with substance abuse, arrests and rehab stints, was a great reminder of how far this actor has come - this was his third nomination, after all, and his win later on was a great validation for everyone at the time who said, "this guy is amazing and will go places...if he can get his act together." After all, Downey made sure to thank his wife Susan, and described himself at the start of their relationship as a snarling rescue animal that she loved into life.

It was a night for great speeches actually, with acknowledgements of the ongoing tragedies in Gaza and Ukraine and the importance of musical education, but also personal moments like RDJ's and Da'Vine Joy Randolph's. There are still some laundry lists of thanks, but many people took the time to say something genuinely appreciative or meaningful.

Snubs notwithstanding, I was generally happy with the awards themselves.

Oppenheimer winning Best Picture felt appropriate and Christopher Nolan finally garnering the Best Director award was a real treat which I hope gives him even more latitude in his future projects than he has had in the past. Poor Things, a movie I described as an R-rated Edward Scissorhands and which I enjoyed far more than I expected, took not only the costumes and production design gongs but a surprising Best Actress Oscar for Emma Stone.

And Barbie, which was hampered right out of the gate with snubs for Director, Best Actress, and Best Picture, and which really deserved more recognition for being such a bold and frankly educational film, at least won Best Original Song for Billie Eilish’s “What Was I Made For?” But Ryan Gosling’s amazing and electrifying performance of “I’m Just Ken” set a new high-water mark for performances of a musical nominee, starting the song from his seat in a hot pink tuxedo and cowboy before leading the cameraman onstage and joining five dozen dancers, co-writer and guitarist Mark Ronson, four of his fellow Kens from the film, Slash and Wolfgang Van Halen. After returning to the audience and handing the mic to his cast and crewmates to sing a verse or two, Gosling got the entire auditorium on its feet to belt out the chorus, with indoor fireworks capping off the entire thing.

In household entertainments, The Rare Hipster both ‘lost’ March of the Dead with 7 or 8 drinks taken (5 for me, and his last one was a bit dubious due to a huge slate of names appearing at the end) but won with 15 correct guesses for awards! My nephew Mark won the raffle for a free night at the movies.


And with the earlier start, most people were on their way back home before 9 pm! But the rest of us stayed on to chat and go to bed late, which is why this blog post came in late – apologies!

Sunday, March 3, 2024

Balancing Act(s) - Dune Part Two, Reviewed

(Spoiler-free, I think? I mean, this book is pretty old...)

Movie adaptations of literary classics (and I certainly include Frank Herbert's 1965 masterpiece Dune in that category) are a decidedly tricky business for everyone involved, from the producers trying to replicate success from one medium to another, to writers choosing what parts of the canon to keep, remove or change; directors and production designers trying to re-depict vistas, characters and technology on the screen; and fans of the original material and previous adaptations holding their breath to see how the latest interpretation has turned out - to their eyes, at least.

Director and co-writer Denis Villeneuve's 2021 Dune adapted the first half or so of the novel, and was acclaimed by many critics and fans (myself included) despite being viewed as an unfinished work. It is hard to believe that such an epic depiction of family, politics, betrayal and war serves primarily to set the stage for an even more titanic tale of clashing cultures, revenge, prophecy, propaganda and planetary deliverance, and which is ten minutes longer to boot.

So does Villeneuve deliver the goods with his conclusion, Dune Part Two? Does he stick the landing? Well, yes and no.

It is a marvelous adaptation in the truest sense of the word; one artist rearranging elements of another's work to create a new version in a different medium. The broad strokes remain largely unchanged, depicting the struggles of Paul Atreides (Timotheé Chalamet) and his mother Jessica (Rebecca Ferguson) as they look for succor amongst the hardened and suspicious desert Fremen. Paul strives to balance his compulsion to avenge his murdered father with his desire to avoid a galactic holy war in his name.

Meanwhile, Fremen leader Stilgar (Javier Bardem) believes more and more in the possibility that young Paul is the mahdi, the deliverer promised by prophecy but also contrived by the manipulations of the Bene Gesserit religious order. Jessica leans into this belief (and the possibility that Paul is also fulfilling the BG prophecy of the kwisatz haderach) while Paul actively avoids it, and his eventual Fremen love interest Chani (Zendaya) openly disputes it.

It's been a while since I read the novel but I don't recall the external tension being this pronounced, with so many disbelievers among the Fremen of Sietch Tabr, with the underground shelters of the southern hemisphere being depicted as more fundamentalist ("[Stilgar] is from the south. Could you not hear his accent?" made me laugh.) And Chani's perspective and resistance to manipulation is a welcome addition, giving her character far more depth than in the novel.

In fact, all the female characters enjoy more nuance and agency in this movie than in the novel; Chani, Jessica, Princess Irulan (Florence Pugh), and even Paul's sister (Anya Taylor-Joy) who, unlike the book, remains both unborn and unnamed by the end of this version. 

Villeneuve has his work cut out for him, balancing the agendas for not only all these characters but more, as well as the various factions they represent. But he not only does so with a clarity the 1984 film and 2000 mini-series don't match, he still finds appropriate moments for action scenes that blend brilliant spectacle and scale with plot momentum and character dynamism. The first Fremen attack on a Harkonnen spice harvester is a feast for the senses, with drama and a real sense of consequence.

He also continues to display a singular and masterful visionary eye, depicting the introductory gladiator battle of Feyd-Rautha Harkonnen (a hairless and nearly unrecognizably cruel Austin Butler) not just in black and white (in order to differentiate the sands of the Harkonnen homeworld of Giedi Prime from those of Arrakis), but in infra-red, under a black sun. Amazing!

Dune Part Two is a great story with wonderful performances by an amazing cast, but it would almost be worth seeing in IMAX even with the sound off just for the amazing visuals. And not just the cinematography by Greig Fraser (The Batman, Rogue One) either, although his sunsets, desert vistas and transitions between Paul's visions are at times breathtaking. The costumes and production design are artful and ambitious in a way that far too few films, even science-fiction, are too timid to attempt.

Fans of previous adaptations (including Jodorowsky's unmade version) may see nods and homages to them in this film as well; I saw traces of H.R. Giger in the cityscapes of Harkonnen-occupied Arrakeen and the costumes and architecture of Giedi Prime, and David Lynch's art deco flourishes elsewhere.

And the sound! IMAX increases the bass and resonance as much as the screen size, bringing even more impact to the distorted vocals of the Spacers Guild (presumably?), unfamiliar languages, the thud of descending harvesters and the roar of cresting sandworms. 

I am thrilled beyond words at the notion that more of Herbert's lexicon (Fedaykin, crysknife; Bene Gesserit, etc.) will be getting an even larger footprint in popular culture. What future filmmakers are seeing this film, glimpsing this unique world, and becoming inspired to create their own works in the future?

Now, there will inevitably be those who will say that Villeneuve and his co-writer Jon Spaihts took liberties with the canon and that they were excessive or unneeded, but I will not be one of them. Every departure seemed to make for a better movie in my regard, a film that felt expansive and epic yet personal and tightly spooled despite being the better part of three hours long (2:46). So why can't I be more fulsome in my assessment of Part Two? 

For much the same reason I can't say The Empire Strikes Back is a better film than Star Wars. Without giving too much away, despite ending the movie at virtually the same point as the novel, the sense of resolution is muted, and the movie wisely avoids the temptation to tie a triumphal ribbon around the whole affair. Instead, arrows are pointed to the future, a natural point to pause (but not really finish) the story is reached, and Villeneuve, clearly a fan of the novel's sequels, has already committed to a third film incorporating Herbert's sequel Dune Messiah

A sequel has not yet been greenlit by Warner Bros., but this is not surprising; Part Two was not confirmed until 4 days after the release of Dune, so perhaps the same will hold true for the next film? I certainly hope so and will buy a ticket (in IMAX again) as soon as I am able.

In the meantime, though, how can you judge whether or not someone has stuck the landing when they are so evidently eager and unfinished? 

Sunday, February 25, 2024

Can Persistence Overcome Resistance?

 I love Alberta. The place, anyways. And yes, most of the people too. But there is a constituency I am finding harder and harder to abide; the ones who reside at the intersection of stupid and hateful.

The town council of Westlock AB voted unanimously to paint a crosswalk in rainbow colours for Pride. There were those who spoke out against it, but there was also a lot of outspoken support, and at the end of the day, the council felt it important to signal their inclusion for everyone and support for marginalized sexual minorities. 

Rather than express their displeasure in the next municipal election, a concerned citizens group (aided by GoFundMe money from who knows where), requested a plebiscite requiring "neutrality" for all town sites and resources, prohibiting flags or other public displays for any "political, social, or religious movements or commercial entities." Please note this would not only ban Pride flags but remove any chance to honour things like St. Patrick's Day, the Metis Nation of Alberta, Knights of Columbus, Scouts and Guides, the Hudson's Bay Company, etc.

The vote was held earlier this week and by Thursday it turned out a) only a third of eligible voters showed up and b) the neutrality side won by precisely two dozen votes (50.9%).

I mean, bad enough that small-minded jackasses take it upon themselves to spill black paint or do burnouts on these crosswalks across the province, but for a group of people so upset at acknowledging 2SLGBTQIA+ individuals in their own community that they would lobby for painting over a rainbow crosswalk and highlight to the world how intolerant their community wants to be is equally disheartening and stultifying. And knowing those regressive imbeciles at Take Back Alberta had a hand in it is not comforting either.

I believe this (re) post by Dr. Kristopher Wells, Canada Research Chair for the Public Understanding of Sexual & Gender Minority Youth at MacEwan University, sums up the shortsighted idiocy of this play:


But unlike some folks, I still believe in democracy and agree that the will of the people (in this, case, the will of the one-third of eligible voters who took part), must be heeded. 

I am glad to hear council is already looking for other ways in which to support this particular community, but laughed out loud when I read about this retort:


In the end, I think yes, love and support will eventually wear down ignorance and bigotry.

I just wish there wasn't so much of it to overcome, especially in a province with so much to love about it.


Monday, February 19, 2024

The Great Bookshelf Cull of '24

In the novel Buckaroo Banzai, the Great Man eulogizes a fellow Hong Kong Cavalier by saying of him, "he loved and slew, he made music and made merry, and never owned more than he could carry on his horse."

Despite the other differences, I feel people comparing us after I pass will not remark on my lack of kills so much as they will point out my tendency to hang onto things.

Not to a hoarding level - at least, not from my perspective, and I can't help but feel Audrey would not leave such behaviour unchallenged, but yes, there is an enticing, nearly sultry overlap between preparedness and sentimentality that can be quite debilitating, it turns out. Particularly when it comes to books.

Friends of ours are moving, and watching them go through the process of shedding decades of potentially or suddenly unnecessary accumulations has prompted Audrey and I to examine our own situation. And in a historically rare and fortunate alignment of time and motivation, we determined that on this Family Day long weekend, we would at last pare down our collection of books.

The stacks in question were six bookshelves of various sizes, qualities and provenance. Many of the books residing on these shelves were perpetually obscured, either by an additional row of books in front of them, or stacks of other items like compact discs. Some shelves bowed like the shoulders of Atlas under their burden, and Audrey believed the left-hand lower cupboard door had become a load-bearing element, but it turned out to just have been stuck. 





The gap in the second shelf from the bottom was recently vacated when, in anticipation of this weekend's endeavour, I asked my friends if anyone wanted my collection of Inferno! magazine, the first publication from Games Workshop's publishing arm, Black Library. Now I have the satisfaction of knowing all 44 issues are going to a good home, where they will be appreciated.

A few items were likewise rehoused, but the vast majority of them made their way to the Goodwill donation centre, including my Latin textbook from university. I also recycled the cheat sheet I used to help memorise tenses and declensions and the like - by which I mean, I memorized the sheet itself and painstakingly wrote it out before every major exam; such was my challenge with rote memorization.



That textbook and reference has accompanied me from Augustana in Camrose to two apartments in Edmonton, across the country to Toronto and back to Edmonton; it felt almost a shame to part ways after all that time together! But part we did, and from many other reference works as well. My rubric had a pinch of Marie Kondo's joy-bringing to it, but focusing on what Wikipedia or other websites could do just as well as these often out-of-date dead tree editions allowed me to be particularly ruthless with the non-fiction items.

Before too long, the downstairs table was carrying a significant number of volumes.


So much so that we exhausted our supply of boxes, so we took the half-dozen or so that we had filled over to Goodwill, and resupplied at the liquor store on our way home - with more boxes, that is.

Being forced to audit one's accumulations can be a trial, and a blow to nostalgia to be sure, but it is rewarding for all that. It is a chance to encounter one's former self, as when I encountered two books I had ordered from Scholastic probably in elementary in Willow Park. I elected to let go of my sole Alfred Hitchcock and The Three Investigators book, but maintained my copy of Lester Del Rey's Tunnel Through Time, recalling an early bonding experience with someone thirty years ago who I am still privileged to call my friend.

I came across my very stylish invitation to the 2005 GW Veterans' Dinner, where the company would fly employees and their partners to the U.K. to receive their 10 year plaques and a leather jacket.


Glory asked if I missed it, the culture and all, and it's true; there are times when I really do. But on the other hand, my current workplace has a number of people who share my dedication to doing good work, even if the subject matter isn't quite as entertaining as Space Marines and toy goblins. And to be honest, I have probably saved myself a great deal of clutter just by not working for a maker of fabulous toys and games.

From that same trip, I found what I believe was a napkin from the cafeteria at the Tower of London (?) that obviously I held on to because of a certain similarity in names:


And on one shelf, this exquisite (if tarnished) box which should be on its way to Toronto to join its namesake before too long:



Moments of reverie slowed us down but never fully overtook us.  By the end of the afternoon, we had whittled enough away to get rid of the smallest bookshelf entirely.


In addition to being smaller and tidier, things are a bit more organized now, and there is still room for a handful more volumes. This was an afternoon well spent!

But wait - why is Audrey gazing over at the shelves full of boardgames?

Sunday, February 11, 2024

A Great Achievement in Stupid Movies - Argylle, Reviewed

Years ago, I was with someone when they watched their first Bond movie. It was in the living room at our old place, and we were watching Goldeneye, I believe because a new Bond with Pierce Brosnan was on the way and our guest confessed that they had never, ever actually watched one. 

So we tear into the cold open with its derring-do, wisecracking action, laser watches, et cetera, but when Bond chases a runaway aircraft off the edge of a cliff, skydives into it, and wrestles control away from the Russian pilot, soaring away to the strains of Tina Turner's theme song, they rolled their eyes and snickered, "oh, brother."

I paused the film and said, "Look, everyone has their own threshold for this kind of stuff, but if that stunt tears you out of your suspension of disbelief or whatever, we may as well stop it here and put in something else, because, in the words of B.T.O., 'you ain't seen nothin' yet'."

They apologized (which I explained was unnecessary), we resumed the film, and although it was not entirely their cup of tea, they enjoyed the remainder and said they could definitely see the appeal. They just had no idea what they were getting themselves into, and the recalibration seemed to have helped.

Watching Matthew Vaughn's Argylle today in a theater empty but for the two of us, I turned to Audrey at one point and said, "I didn't expect this flick to be too serious, but it has slid way past silly and is wading speedily into stupid territory."

She gave me that look that I know means, "...and?"

"And I am here for it," I replied.

You probably don't need me to tell you the premise of Argylle is ludicrous, even by the standards of a big-budget, international spy film. Anxious, cat-loving Elly Conway (Bryce Dallas Howard), author of a series of highly successful espionage novels starring her creation Agent Argylle (dramatized by Henry Cavill), has her life turned upside down when a real-life secret agent (Sam Rockwell) tells Elly that her fiction has overlapped with real-life operations in such a way that a rogue agency is now trying to capture her to get a jump on what will happen next.

I mean, right away you should know we are further away from the John Le Carré milieu here and way closer to Austin Powers, right? But because this is Matthew Vaughn (Kick-Ass, Kingsmen), the action scenes are both brutal and beautiful, lethal and funny, particularly when Elly's rescuer Aidan asks her to crush the skulls of the adversaries he intends to lay out on the path of their escape.

"What? I-I can't do that!" Elly protests.

"No, no, it's easy," Aidan assures her, "the human skull is shockingly brittle."

Anyhow, despite or possibly because of its silliness, Audrey and I had a good time at Argylle. It is uneven in places, particularly where it feels like Vaughn is trying to bring in some dark humor from Kingsmen but having trouble squeezing into the confining PG-13 box the movie required. In fact, he mentioned in an interview that he didn't find it difficult so much as puzzling - head shots are R-rated but chest shots are PG-13?

Bryce Dallas Howard does a great job portraying a nervous person adapting to terrifying circumstances, but Sam Rockwell is a delight, as always; making you laugh and feel relieved but then adding enough ambivalence to make you wonder if trusting him is the right thing to do.

The book scenes with Henry Cavill are intentionally outlandish with a few too many CG-driven stunts (not my fave) and oodles of style, and let me tell you, for a gorgeous pop star, Dua Lipa looks tremendously comfortable firing a submachine gun from the back of a motorcycle.

For what it's worth, I believe the plot has enough internal consistency to get you over the finish line without too many "oh, brothers", but make no mistake, this is a story where, in the end, they are kind of relying on dumb to get the job done. 

In fact, I will tell you what: I hate when people tell movie-goers to turn their brains off and just enjoy themselves, but you are far more likely to enjoy yourself at this movie if you a) don't bring any cynics along with you and, b) periodically ask yourself, as I did, if perhaps this was originally intended to be an animated feature.

If you enjoyed the Kingsmen movies at all (particularly the second one), you can likely have a good time at Argylle. This goes double if you are smart enough to recognize when stupid works, but not everyone does, which I wonder is perhaps why it is struggling in the theaters.

Sunday, February 4, 2024

The Grill - The Latest in a Series of Very Dad-like Events

I've wanted to replace our aging propane grill for some time now, and this weekend I finally did it. But it wasn't easy.


First of all, I needed to convince Audrey of the worth and validity of an upgrade to a wood-burning smoker/grill, followed by a rudimentary cost-benefit analysis. The arrival of the Traeger roadshow to nearby Costcos in the same month we got our cashback coupon from our Costco credit card was indeed fortuitously timed.

It took a bit of scouring but I did manage to find the Alberta roadshow schedule online, but misread it and took a wasted trip to the East Edmonton warehouse earlier in the week. I then accepted I would have to wait until they came to that store on Feb 6, but when I checked on Friday, the event had been canceled.

Rather than waiting until the end of February in  Sherwood, I drove out to Leduc after supper on Friday. I made my way to the improvised booth that had been set up, but was saddened to see nothing at the price point I was looking for. The two grills at my end of the scale (including a portable model) felt a bit too small.

Luckily Brent, the Traeger rep returned as I was preparing to leave, and suggested the one model might suit me well, as he owned the same model, the Mesa. He pulled out his phone and showed me a picture of his easily enclosing an 18 lb brisket, another with three large steaks and a half dozen ears of corn, and a third with an entire three-pack of Costco chickens sitting comfortably on the cooking surface. When he threw in the cover for free, I quickly consulted Audrey, got the greenlight and departed Costco with my largest single box ever in the back of the Flex.

The next day I deployed a new blade in the old box cutter and started the unpacking process. I quickly discovered there was almost as much cardboard as metal inside the packaging, most of which serviced as baffles to prevent damage from jostling during shipping. One nice touch though, is that they print a cute cabin on the inside of the box so kids can play in it, so we will put that aside until Robin's next visit. (Although the compulsion to colour it is almost overwhelming...)


Traeger does a great job with packaging their tools and with their assembly instructions, although the Ikea-style pictographs really made me question the need for printing it in multiple languages...


Despite my misguided focus, which almost resulted in my attaching a handle to the interior of the barbecue (oy!), I managed to get the whole rig put together by myself and got ready to prime the augur (a motorized screw that delivers wood pellets to the heat source, or firepot) and season the grill with a brief high-temperature run - and here I began to encounter challenges.

First, Audrey requested the chimney be moved further away from the house; fair enough; I placed the new and old grills facing each other beside the step, making sure they were both 18" from any combustibles.

Welcome to Grillbase Alpha

I then removed all the innards from the barbecue (heat diffuser, drip tray for grease, and the grills themselves), loaded the hopper with applewood pellets and followed the instructions for priming and seasoning. The augur turned so slowly at first I didn't even realize it was moving, but soon enough pellets began to drop into the firepot. I turned the switch off and then back on, and turned the heat up to 450 as instructed, and was rewarded a couple minutes later with the sight of fragrant white smoke puffing out the stack on the side.


This would need to continue for a half-hour or so, so I went back inside, but emerged a few moments later to a lack of smoke and a cryptic "HEr" message on the thermometer display. A quick online lookup revealed this to be a high-temperature error, and opening the lid revealed a small bonfire not only in the firepot but the end of the augur channel as well.

I switched everything off, blew out the flame and went inside to do more research while everything cooled. Fearing at first that I might have a faulty temperature controller or something, I eventually found a set of instructions on the Traeger that differed from those in my manual. This set added a step where you replaced the grills, drip tray and diffuser I had removed, which made sense to me since they felt tacky to the touch and undoubtedly had some sort of solvent or other compound that needed removal via heat. 

The second priming proceeded uneventfully, so I will say Trager makes a great product but their documentation and website could use some work. Oh, and yeah, that ended up being a lot of cardboard when I was done too. But now that my Trager was food-ready, I had still more work to do.


I raced out to the nearby Peavey Mart to grab some liners for the grease bucket that hangs off the end of the grill, but they had no welding blankets, which were suggested to me as an insulator against the cold. Next stop was to Costco for the three-pack of chicken so I would actually have something to cook the next night, and finally off to Princess Auto to grab the welding blanket and a steel pail for collecting ashes in.

Returning home, I froze one of the chickens and prepared a brine for the other two, using a mix of kosher and smoked salt, plus brown sugar. The next day, I rinsed the birds, lightly salted them, and added rosemary, smoked paprika, and fresh ground pepper, then put them on the preheated grill at 225 to smoke for an hour. 


The Traeger is meant to function using smoky, indirect heat with the door closed as much as possible, a real switch-up from my constant minding, flipping, and avoiding cold spots and flare-ups on the propane grill. Putting the welding blanket over top of it in order to regulate the temperature and potentially conserve fuel was a real aid to this. 

There is a port in the side so you can insert the included meat probe that displays on the grill's thermometer, but I subbed in my faithful wireless model so I could keep tabs on the temp while remaining indoors.

After an hour, I added an aluminum tray of little potatoes tossed in olive oil and a seasoning mix called El Chupacabra I had brought home from Texas, then turned the heat up to 375 to crisp up the skin on the chickens.

It was around 10 below and breezy during most of my first cook, but about 70 minutes later, the thermometer chirped that the chickens had reached 165 degrees, so I went out and brought all the food inside. If nothing else, it certainly all looked appetizing!


Audrey and Glory were returning from High River and it was tedious going thanks to the snow along most of the way, so the dinner waited in the oven for about 45 minutes until they arrived. Meanwhile, I cooked the potatoes for another 5 minutes in the microwave, since being uncovered, they were still crunchier than I wanted.

Soon after the family got home, we carved into the chicken, which was a smidgen on the pink side, but which Brent had warned me about and assured me was still safe. We ate with gusto, and although the potatoes were a bit of a letdown (lesson learned - get them covered!), the brining and smoking had provided us with moist, flavourful chicken.


So! First meal completed within 48 hours of purchase, and I was very pleased with both how it turned out and how easy it was to prepare. With the grill itself managing the temperature and the flow of wood to the fire, the Traeger is largely a 'set it and forget it' affair, which is right up my alley, frankly. 

Perhaps next time I will forgo the brining in favour of a saltier rub, or try our beloved beer can chicken instead. I am perusing recipes online at the Traeger site and elsewhere, and bookmarking furiously. Cincinnati chili? Never heard of it, looks interesting. Ribs? Obviously needs to happen at some point. Brisket? Hmm, maybe in the summer. 

Wait a minute -there's a cocktail section?