Sunday, July 28, 2024

Marvel Regenerated? - Deadpool & Wolverine

Although this review should be spoiler-free (as always), it is problematic for two reasons: first, I cannot be trusted. Because I am an unbashed fan of the source material (i.e. comics) even more so than a movie buff, it is impossible for me to be objective about these films, so I don't even try.

Furthermore, because I don't want to spoil anything, my hands are tied in describing much of what I enjoyed so much about Deadpool & Wolverine, but I will take a shot at it.

A lot has happened since the last Deadpool movie was released in 2018; the character has moved from a rival studio (Fox) to the MCU (Disney). Marvel has lost its once ironclad grip upon pop culture, largely due to overextension. D&W is, in fact, Marvel's sole offering for 2024, the first year with only one MCU movie since 21012 if you discount the pandemic. (Deadpool to Logan: "Welcome to the MCU! You're joining at kind of a low point...") 

To be honest, I've enjoyed all the Marvel offerings to date to some extent, with the possible exception of Secret Wars, which felt like a wasted effort and missed opportunity. Sure, I've liked some MCU flicks more than others, but like the comics they are drawn from, I appreciate when the movies diverge into psychedelia, farce and even self-referential humour. But it was heartening to see how many other people were looking forward to seeing Hugh Jackman's return as Wolverine, and it was also good to see Marvel poking some fun at itself throughout the film.

And when Ryan Reynolds's Wade Wilson grabs an unconscious Logan by the lapels and clearly spies the legit superhero outfit we have waited so long to see, even he is moved to say, "well, that only took 24 f**king years...".

So let's be clear about a couple of things right up front: 

If you don't like or are tired of superhero movies, this one won't change your mind.

If you found the first two Deadpool movies a little too irreverent or raunchy or gory for your tastes, give this one a wide berth as well.

But if you find the MCU's ever-complexifying canon overwhelming, I have great news - this is barely an MCU movie.

Oh, they get the studio leader and fanfare, and the Time Variance Authority (introduced in the Loki streaming series) is a critical part of the plot, but very early on they lay out enough exposition (Deadpool even exclaims "what the MacGuffin is that?" during the setup) that even newcomers can probably follow along easily enough. And Matthew McFadyen as Mr. Paradox make a great foil for the Merc With a Mouth. There is also a wonderful cameo early on from an Avengers-adjacent stalwart.

What follows is a two hour love letter to the Fox superhero movies, actually, full of bloodshed, cheap gags and cameos galore, but all three of those elements are well-handled and GOD I wish I could tell you more, but please trust me and go see it quickly if you don't want many of the best moments spoiled for you, all right?

Wolverine's hero suit becomes a topic of conversation more than once in the movie, and even prompts a sober moment of guilt-laden reflection when Logan confesses why he wears it. And if I am being honest, the costume and the cowl were enough to ensure I saw this movie in the theater (even if I had to wait an unbearably long time for the latter). Grown men on the set were said to be moved to tears when Jackman showed up in the iconic blue and yellow outfit, and the actor even said, "why the hell didn't we do this years ago?"

Beyond the suit (God, the suit! I am so happy y'all!) there is no shortage of fan-service, but Shawn Levy and company know when to hang a lampshade on it, like prior to the first big set-to between the titular characters, when Deadpool breaks the fourth wall to say "okay nerds, get your special sock ready - this gon' be good!"

And there's a lot of these fights, some of which are pretty long, which I am sure will bore Audrey to tears - but maybe not. They keep their staging pretty imaginative for the most part, with some of them getting so busy I can't wait for a chance to watch them at home with a hand on the rewind button.

But it is a solid stuff, overall. The ridiculous plot gives room for both some emotional gravitas, an excellent new villain (Emma Corrin as Charles Xavier's sorta sister Cassandra Nova, introduced in Grant Morrison's extraordinary comics run 20-odd years ago), and a chance to say farewell to some long-standing characters.

I am not in the least bit clear how the resolution of the movie might or mightn't open the door for mutants in the MCU, and I earnestly do hope they don't keep Hugh Jackman doing this until he's 90, but in a strange way, Deadpool & Wolverine will make still another very decent farewell piece to this iteration of the character (19 appearances by Jackman as Wolverine! 19!) a brighter and lighter but still emotional counterpart to bookend the more earnest and serious Logan (2017).

Commercial success appears assured with a staggering $205M opening weekend, and with Feige's workload a little lighter, I am hoping there are more Marvel successes to follow this one.

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